Victoria Ludwin, a gifted writer living in Texas, is shopping her first novel around, writing her second and raising two children in-between newborn-induced catnaps. This innovative writer, with a flair for illuminating the humanness of a character and a knack for finding both beauty and comedy amid chaos, shares her thoughts on the Houston arts scene, novel-writing and how to pursue your creative dreams while raising children.
CN: How long have you been writing? What types of pieces do you like to write?
Torie: I’ve been writing since I was a little kid; in elementary school there were these young writer programs where kids would write a story and then illustrate and make the book. My first was called “Bunnies in Space” and a significant plot element involved rubber cement. I ran the literary magazine at my high school and took a handful of writing classes in college; at my first job I carried a notebook around with me, ostensibly to keep track of what needed to be done, but wrote a story in its margins. Writing seems to have always been a part of my life. I like to write fiction and the expansiveness of novel-writing is appealing to me, although I’ve always loved writing letters too.
CN: Where has your work appeared?
Torie: I’ve written for CITY Magazine, Time Out New York Eating and Drinking Guides, BOMB Magazine, the River Oak Review, Salt Hill Journal, Artcritical, Houstonist and ArtsHouston. They’ve published reviews and short stories of mine.
CN: Who are some of your favorite authors?
Torie: I couldn’t say, the list changes all the time. I just read a great collection of stories by Vikram Chandra. There are so many terrific writers out there, it’s pretty amazing to stumble on someone new and be so excited about the work.
CN: After living in NY for a number of years, you moved to Texas. What is the arts scene like there?
Torie: The art scene in Houston is terrific, I’m happy to say. It’s the fourth largest city in the county and an enormous effort has been put into keeping the arts vibrant, while at the same time the cost of living is quite inexpensive in comparison with the other top ten cities in the US. It has one of the few paid theater companies, opera, ballet, the symphony, lots of chamber music, jazz, dozens of theater and dance companies from classical to experimental, and a very active gallery scene. The museums are also top-notch.
CN: You recently joined a writer’s group – what is it like? What has it done for you?
Torie: My writer’s group is a real lifeline for me. They give me support, criticism and deadlines, plus they happen to be smart, caring people that I love seeing on a regular basis. They keep me writing, even when it seems impossible.
CN: How do you find the time to write while raising two children?
Torie: I find the time to write when I have to write; mostly in the mornings now when one child is at school and the other is asleep. It’s not easy.
CN: Has having children changed your writing?
Torie: Having children has made it very hard to keep a focused mind. It’s changed my writing insofar that I find myself writing more personal essays about identity and motherhood.
CN: You completed a novel and spent time shopping it around. What is the book about? What was process of writing it like?
Torie: My novel is about a mathematics professor who goes a little crazy and starts to believe the afterlife is a higher dimension of space. It’s also about family and the tug and pull between faith and reason. When I started writing it, it was very freeing. When I finished the first draft I felt deeply satisfied, although getting out the end was difficult. When I finally got to a finished draft, I never wanted to see the manuscript again. It was driving me crazy.
CN: How long did it take to write that novel? What did you learn? Are you still shopping it around?
Torie: It took me more than three years to write it, and I was lucky enough to do much of it in grad school. I’ve learned that writing a novel can really mess with your head! But I like it. Not the head-messing part, but exploring ideas, characters and stories over so many pages. I shopped it around to agents for about 18 months and got one who’s now shopping the manuscript around to editors.
CN: You started a 2nd novel. What is this one about?
Torie: My second novel is about a film director who doesn’t know how to finish her movie. It will also be about art versus entertainment, memory and how the past impacts our present and future. And I’m hoping to work in lots of sex. Or at least potential sex.
CN: How do you keep yourself inspired?
Torie: My friends and my writing group (really the same people) inspire me.
CN: What have you learned between the completion of your first and the writing of the second? Are there things you will do differently in writing this one? Torie: I’m trying not to take it all so seriously — I’m trying to have more fun with the characters.
CN: Do you have a writing schedule? If so, how do you maintain it while raising your children? If not, how do you balance the children and writing?
Torie: I have no writing schedule. I am not balancing children and writing very well right now; my newborn keeps me up all night. I’m hoping to get things back together when I’m sleeping more than 45 consecutive minutes at a stretch.
CN: What was the hardest part of letting go of the first book? How did you decide that now was the time to write the second?
Torie: There was nothing hard about letting go of the first book, I worked on it until I was sick of it and couldn’t stand it anymore. I wanted to start a second book right away but it took awhile for the story and setting and characters to settle in with me.
CN: What advice would you give to people who are trying to raise a family while pursuing their creative dream?
Torie: Don’t kill yourself because you’re not able to devote the time and energy you might have been able to before, but don’t give up. A teeny bit each day is worth it.