
In 2007, Jon Jensen made a move from the United States to Cairo, a city that sits “on the crossroads of history”, to pursue his creative dream. This young documentary filmmaker and journalist’s fine listening skills, willingness to take risks and love of adventure and people will no doubt make him a recognized leader in his field. On his popular blog, The Camera and I: freelance journalism and other misadventures in Egypt, Jon chronicles some of his experiences. Here he talks about how he became interested in this field, made the move from the United States to Egypt and offers some advice on how to live without regret.
CN: Tell us a little about your background. How did you become interested in documentary filmmaking?
Jon: A few years ago, a friend and I made a documentary film that followed a group of medical students providing aid to villagers in the Andes Mountains of Ecuador. We hiked to a small village at 4000 meters in the middle of nowhere, carrying cameras, tripod, and bottled water – the village had no running water or electricity. There were about 100 people living on that mountaintop, many of which had never seen Westerners. Certainly most of them had never seen video cameras. I remember taking some photos of children on my digital camera, showing them the pics on the viewfinder and watching in amazement as they saw their electronic images for the first time. What a feeling! Nothing happened with our film, but after Ecuador I knew that I wanted to explore the ends of the earth with my camera.
CN: Is your focus journalism or documentary filmmaking? Or do these two things fall into one category?
Jon: I’m a documentary filmmaker but I still consider myself a journalist. I don’t think the two are mutually exclusive at all. Some people might disagree with that, but there’s a reason that most documentary schools are in housed in journalism colleges. Ultimately, filmmakers and broadcast journalists are seeking to uncover the same thing: the truth. I think journalists would say that news stories are more “objective,” whereas documentary film provides more room for directorial manipulation and control over the subject matter. And documentary purists would probably argue that news is too short, doesn’t tell the full story, and is also subject to editorializing.
But with more outlets on the internet combined with generally shorter attention spans, I think there is plenty of room to combine long-format current affairs with observational techniques. Maybe we could call it documentary news? What ever you call it, I’m more interested in using a camera to explore, record, and reveal. It’s less about promoting or persuading. I’m pretty certain people are smart enough to make their own decisions.
CN: Where have you lived in the world?
Jon: I grew up as a “diplo-brat” and lived in Saudi Arabia, Algeria and Egypt when I was younger. We would take weekend trips to the deserts of Yemen, Crusader castles in Syria, and the snow-top peaks of the Atlas Mountains. Since then I’ve gone bungee jumping in Bali, SCUBA diving in Belize, and drank tea with Bedouins in Morocco. I was very fortunate to see so much of the world growing up.
CN: What languages do you speak?
Jon: I speak French and Arabic, but only enough of each to know when I’m in trouble.
CN: You are currently in Egypt. What made you decide to live there?
Jon: I lived here when I was younger and fell in love with the people in the Middle East. No matter how chaotic it gets here, the people still smile. And for a Westerner, Cairo is an easy city to live in. It’s the largest city in the Middle East and the entire continent of Africa, and sits virtually on the crossroads of history. I live on an island in the Nile River, about 10 miles from the Pyramids, 250 miles from Jerusalem, and a couple hours from Athens or Rome by flight. That’s pretty damn cool.
CN: How was it possible for you to make the move from the US to Egypt?
Jon: I came up with the idea, bought a ticket and got on the plane. It was that easy. But I assume you’re talking finances. All it took was a little planning. I saved enough money to buy all the equipment (cameras, computer, etc.) and other stuff I would need here in Egypt. Then I bought some travel insurance in case I fall off a cliff and need to get flown to a hospital in Germany. Living at home for a few months before coming helped a lot - financially, not socially. I brought about $10,000, figuring that would let me live in Egypt for about 6 months to a year with no additional income since the cost of living here is much cheaper than the US. I also invested several thousand dollars before leaving so I’d have money to float on when I get back. But really, the key is not having any bills here. I’m not sure I could do this if I had debt.
CN: Did you have a place lined up or was it easy to find a place to live when you arrived?
Jon: No, I lived in a hotel for about a month-and-a-half before settling on a flat. I think I paid about $17 per night in a tiny 1-star hotel with no A/C. It was the dead of summer and there were many a sleepless night. But the expat community in Cairo is pretty large, so it was easy to find a good apartment to live. It’s relatively cheap, too.
CN: What personal concerns did you have before coming?
Jon: Leaving a well-paying job and friends and family wasn’t easy. I knew coming here would be a risk, but I had to at least try. And I’m not getting any younger either. For me, it was important to move to Egypt while I was still twenty-eight. That sounds silly maybe, but I actually flew here three days before my 29th birthday for that reason.
CN: What concerns do you have now?
Jon: Now that I’m in Egypt, I suppose the biggest concern is that life is too good. Sometimes I think to myself, “Whoa! I’m having too much fun out here! This can’t be right.” Then I snap out of it. That’s crazy.
CN: How do you support yourself while living in Egypt?
Jon: I work as a freelancer, which means I’m always looking for new outlets for my work. Got any?
CN: What is the hardest part of freelancing?
Jon: The best thing about freelancing is that you work for yourself. It’s also the worst thing. Time management is tough. You really have to force yourself to work on a schedule. Otherwise you won’t get out of bed till 1pm. And without other people in an office to bounce ideas off, I’ve gotten caught in little creative droughts. Ever heard that song “Brian Wilson” by Barenaked Ladies? Sometimes I find myself staring at the ceiling, wondering what to think about. Maybe I should build a sandbox in my living room.
CN: What is the biggest challenge you face in interviewing people?
Jon: Well, as you know, asking people to share their experiences and personal stories is never easy. It’s obviously harder in Egypt where I’m a foreigner. Throw a video camera into the equation and you’ve got a real task. But if there’s a good story worth sharing to others, people are generally willing to help.
CN: What is your ultimate creative goal?
Jon: Wow, best question yet. I’m not really well thought on that, but short term, I’d kinda like to see the Gaza Strip and Lebanon. Long term, I’d like to keep learning about new places and continue meeting new people. Having the ability to share those experiences through film is so rewarding.
CN: If you could be any super hero, who would it be? Or would you create your own and if so what powers would you have?
Jon: I always liked Donatello from the Teenage Mutant Ninja Turtles. It’d be pretty cool to fight bad guys and eat pizza all day long. Only bad thing would be living in a sewer. But at least April O’Neil would be there…
CN: What advice would you give to people who are currently working jobs to pay the bills and/or raising a family who want to step into this field?
Jon: Go for it. There is nothing cliché about the saying, “you never know until you try.” I may hightail it back to the US in a few weeks -completely broke - but I’ll never regret coming out here. I would have regretted not trying.